I've been gone thirteen days, slept at home last night (with the front door closed), opened it up this morning, . . . and in comes Jenny Wren. She and her male bested the cardinals in competition for the robin's nest at my window, so I've got visual access to her, as she, immediately this morning, re-entered the living room: what memory, what what? brought her right back in as soon as she was able? (But she shall not make a nursery in my doggie treat jar again).
So, googling around on House Wrens, I'm beginning to take offense at others' characterizations:
- "[Another] thing about House Wrens is that they are not too choosy about where they build their homes. " Clearly, my Jenny is very choosy, discriminating, and tenacious of her homestead.
- Here's a pair of "Jenny Wren" socks: but when I say "here" and the image appears "there," above, it means I can't figure out how to interpolate where I want the photo into the blog.
- And here's Paul McCartney's "Jenny Wren" : http://www.youtube.com/watch?v=36dtjxUMWdM
Like so many girls, Jenny Wren could sing
But a broken heart, took her song away
Like the other girls, Jenny Wren took wing
She could see the world, and its foolish ways
How, we, spend our days, casting, love aside
Losing, sight of life, day, by, day
She saw poverty, breaking up her home
Wounded warriors, took her song away
(solo) verse, chorus
But the day will come, Jenny Wren will sing
When this broken world, mends its foolish ways
Then we, spend our days, catching up on life
All be-cause of you, Jenny Wren
You saw who we are, Jenny Wren
- In the nineteenth century, in Charles Dickens' Our Mutual Friend, Jenny Wren is "a child — a dwarf — a girl — a something, " the put-upon and old-before-her-time daughter of an alcoholic father, orphaned by her mother's death. The following tells her story using quotes from the book:
A parlour door within a small entry stood open, and disclosed a child -- a dwarf -- a girl -- a something -- sitting on a little low old-fashioned arm-chair, which had a kind of little working bench before it. "I can't get up," said the child, "because my back's bad, and my legs are queer. But I'm the person of the house. . . . You can't tell me the name of my trade I'll be bound. . . I'm a doll's dressmaker." Her real name was Fanny Cleaver; but she had long ago chosen to bestow upon herself the appellation of Miss Jenny Wren."
[Miss Jenny Wren describes how she finds the fashions for her dolls] "Look here. There's a Drawing Room, or a grand day in the Park, or a Show, or a Fete, or what you like. Very well. I squeeze among the crowd, and I look about me. When I see a great lady very suitable for my business, I say 'You'll do, my dear!' and I take particular notice of her, and run home and cut her out and baste her."
"Then another day, I come scudding back again to try on, and then I take particular notice of her again. Sometimes she plainly seems to say, 'How that little creature is staring!' and sometimes likes it and sometimes don't, but much more often yes than no. All the time I am only saying to myself, 'I must hollow out a bit here; I must slope away there;' and I am making a perfect slave of her, with making her try on my doll's dress. Evening parties are severer work for me, because there's only a doorway for a full view, and what with hobbling among the wheels of the carriages and the legs of the horses, I fully expect to be run over some night. However, there I have 'em, just the same. When they go bobbing into the hall from the carriage, and catch a glimpse of my little physiognomy poked out from behind a policeman's cape in the rain, I dare say they think I am wondering and admiring with all my eyes and heart, but they little think they're only working for my dolls!"
[Miss Jenny Wren tells of the shining children] "For when I was a little child," [she said] in a tone as though it were ages ago, "the children that I used to see early in the morning were very different from any others that I ever saw. They were not like me: they were not chilled, anxious, ragged, or beaten; they were never in pain.. ."
". . .such numbers of them too! All in white dresses, and with something shining on the borders, and on their heads, that I have never been able to imitate with my work, though I know it so well. They used to come down in long bright shining rows, and say all together, 'Who is this in pain? Who is this in pain?' When I told them who it was, they answered, 'Come and play with us!' When I said, 'I never play! I can't play!' they swept about me and took me up, and made me light. Then it was delicious ease and rest till they laid me down, and said all together, 'Have patience, and we will come again.'"
[Miss Jenny Wren is blessed with friendship] It being Lizzie [Hexam's] regular occupation when they were alone of an evening to brush out and smooth the long fair hair of the dolls' dressmaker, she unfastened a ribbon that kept it back while the little creature was at her work, and it fell in a beautiful shower over the poor shoulders that were much in need of such adorning rain.
- Only slightly later than Dickens, round about the turn of that other century, appears E. Cobham Brewer (1810–1897), with his Dictionary of Phrase and Fable, 1898:
- But the finest, oddest account I can find, in its original 1820 facsimile is this child's reader:
A very small book,
At a very small charge,
To learn them to read
Before they grow large.
I CAN GIVE YOU ONLY THE website, and promise it's worth your visit: http://www.archive.org/stream/lifedeathofjenny00yorkiala